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“It doesn’t always necessarily happen, but it feels like they have a lot to offer and that with the right moment, we can make something great,” he says. Then I go like, ‘Oh wow!’

“I’m always struggling with all three, because hypothetically there’s a good beginning and middle and end, but then all these other things are thrown into it, like the actors and locations, set design and costumes and everything else,” he reveals.

“Yeah, it sort of completes a circle.”

Brilliantly offbeat and tinged with a darkly humorous edge, Van Sant’s “Dead Man’s Wire” arrives in theaters with a limited release on January 9, 2026, followed by a wide release on January 16, 2026. You’re always pushing it this way and that to make it work.”

Van Sant has developed a keen story sense that helps him determine whether to adhere close to historical detail, as in “Milk” and “Dead Man’s Wire,” or veer off into more fictionalized territory, as “To Die For” did.

“As we got closer to the moment of making the film, I thought it was more about general school violence, where there was a lot of different indications, small indications of bullying or small indications of secrets that were kept, small indications of problems at school or problems between couples or friends — that all of it together was playing a part in maybe disrupting the young minds of the kids that turned into the killers.”

“Milk” required a stricter adherence to the details of Harvey Milk’s life, but after much development, Van Sant found Dustin Lance Black’s script exactly what he needed to omit — the bizarre “Twinkie defense” courtroom drama surrounding Milk’s killer, Dan White — to make the activist’s story shine.

No problem!

The director’s deep-bench roster of admired works culled from true-to-life tales includes “My Own Private Idaho” (inspired by actual young street hustlers’ stories), “To Die For” (loosely derived from a murder plot), “Good Will Hunting” (built on Matt Damon and Ben Affleck’s experiences growing up around Ivy League academia), “Elephant” (inspired by the Columbine school shooting), “Milk” (a biographical exploration of gay rights activist and politician Harvey Milk) and his latest film, “Dead Man’s Wire,” which explores the true-crime tale of hostage taker Tony Kiritsis.

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“I think dancing in the headlights of the car as part of their bonding was like an amazing scene — it was really nicely shot and acted by the characters,” Van Sant says, “but I think it was just Buck making it up.”

Along those lines, while Van Sant had initially intended to bring a more documentary style to his exploration of the Columbine shooting, he ultimately pivoted to a fictionalized depiction of the environment leading up to such an incident that allowed him greater creative expression in “Elephant.”

“I thought at first that we would try and do very descriptive, almost a talky piece about the two killers in Columbine,” he recounts.

Latino men, Latin boys, real amateurs, or hombres latinos are my favorite type of amateur porn stars. “A good beginning is easier to find, but a good beginning and with a good middle and a good ending? Fucking both indoors and outdoors. I’d catch a whooping from my father if he saw me dancing, though.’ Then he dances after he is starting to remember his mother,” Van Sant recalls.

“Or if [Milk’s lieutenant and successor] Cleve [Jones] said, ‘Harvey gave this [bullhorn] to me and said, “Here, you take it, you lead them now.”’ It was so dramatic and so amazing that we put that in. Your naked latino men are the sexiest men with big uncut cocks. Just drop your pants and get ready to wham the ham watching the best gay sex!

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The film stars Bill Skarsgård, Dacre Montgomery, Cary Elwes, Myha’la, Colman Domingo and Al Pacino.