Vintage gay clips

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Put it on M-Disc or laser engraved quartz. As a Rolls picks him up and takes him to a house, which is a kind of S&M club, Bob wanders nude from the bar to the toilet to the bath to an orgy room and eventually a “beach.” Each hypnotic episode features various men having — or offering — sex. Director François About’s erotic film has Philippe (Philippe Veschi) fantasizing about his ex, Doug, doing poppers and imagining a sex-drenched excursion through New York City.

I'm not looking for nickel and dime contributions. While I have silent scanning equipment, sound 16mm scanners are out of my reach due to cost. One admirable sequence has the employee pulling on the executive’s tie to force him to deep throat him. “The Night Before” is more sensual than raunchy, but it does include a very memorable moment during the climatic orgy sequence.

“Turned On!” (October 22 at 9:15 pm) has Al Parker turned on by Sky Dawson in a bar.

A photographer poses Helmut and lusts after him, especially as he strips off layers and layers and layers(!) of clothing. (There are several fisting scenes). Director Arthur J. Bressan, Jr. films the explicit scenes in “Forbidden Letters” artfully — one arresting sequence has Larry and Richard naked and masturbating on opposite sides of a jail cell wall.

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Lumber Jack! Another young man ogles the muscular Helmut at the gym before having sex in the showers. The last, and perhaps weakest vignette, “Roles,” features a jazzy score as two guys in New York (Tom Peterson and Romain again) couple up and also switch roles.

The series is worthwhile for showcasting these films that may seem quaint today, but are still plenty sexy.

But he also includes tender, romantic moments, as when Larry recalls seeing Richard at a Halloween party or being in Richard’s arms at San Francisco’s Lands End.

“American Cream” (October 25 at 9:15 pm) is a satiric tryptic. Their sex ends with large orgasms and playing with the jism together. There is even an amusing end to the segment. I tried that with Kickstarter, but they refused to run it.

Sales tax of 5% in California was from August 1967 to March 1974.

Note: To view JPEGs in sequential order you must download them.

Contributed to the Internet Archive in Honor and Memory of Leni Riefenstahl & Howard R. Hughes Jr.

On another topic...

Do you have an interest in cine' film preservation?

The Daniel D.

Teoli Jr. Small Gauge Film Archive has a collection of thousands of reels measuring in the millions of feet of film. The documentary, directed by Elizabeth Purchell, is almost like spying through a glory hole and getting an eyeful as images of nude men, often in sexual scenarios, wash over the screen.

“Ask Any Buddy” features snippets from films by adult film auteurs Wakefield Poole, Joe Gage, and Arch Brown, among many others, that range from amusing to erotic.

A fugue sequence involving a sailor, a cowboy, and a construction worker is also a highlight. Scott Miller (a skinny, long-haired young man with a cock bigger than he is) paints his body and dances on a table naked for his buddies. Bring your buddy.

Seven other all-male adult films from the “golden age” will screen during the run of “Ask Any Buddy.”

One highlight is a 2K restoration of “That Boy” by Peter Berlin (October 20 at 9:15 and October 25 at 7:00).

Whether it is my Archive or something else you see on the internet...if you find it useful...archive it! The film features hot guys having copious and continuous hot sex as Philippe achieves five orgasms.

“The Night Before” (October 22 at 4:45 pm) is a really charming film about Hank (Coke Hennessy), a young man who meets Paul (Michael Kade), a photographer, in the park and ends up spending the day and night with him.

same thing with YouTube, Vimeo, PetaPixel, DP Review, Facebook and on and on and on.

Here is the deal...

Don't be like some of the small-minded curators I deal with. Scenes depict trysts at the piers and in bathrooms, bathhouses, and porno theaters, as well as cruising on the streets and subways, and footage from Pride parades.

There is no narrative nor are there credits (save an alphabetical list of titles at the end that identify the clips).